A small one story, one room adobe building with two the art of explanation pdf free download plate glass windows. Purses and shoes are sparsely and methodically placed inside. The installation was inaugurated on October 1, 2005.
80,000 and was intended to never be repaired, so it might slowly degrade back into the natural landscape. The installation’s door is nonfunctional. Ballroom Marfa, a center of contemporary art and culture. Prada’s usual displays that are mimicked in this work play off the minimalism that Judd is known for as an artist. Prada Marfa relies almost entirely on its context for its critical effect. Therefore, this work of art experienced a change of meaning and gained an ambivalent moment, that the artists did not expect. A few days after Prada Marfa officially debuted, the installation was vandalized.
The sculpture was quickly repaired, repainted, and restocked. The new Prada purses do not have bottoms and instead hide parts of a security system that alerts authorities if the bags are moved. The vandalism shows the strong reaction and interaction between the sculpture and the viewers, being created among other things by the site-specific. The direct physical relationship between the sculpture and the viewers achieved extensive local and international press coverage. The exhibition was again vandalized in March 2014. Ballroom Marfa issued a statement decrying the vandalism and pledged to restore the site. Michael Elmgreen commented on the allegations that Prada Marfa is an illegal advertisement for Prada.