This article has multiple issues. Statements consisting only of original research should be removed. Unsourced material may be challenged and removed. 18 and 25 which began broadcasting with my body nikki gemmell pdf January 1975.
The station was restricted largely to the greater Sydney region, and its local reception was hampered by inadequate transmitter facilities. Its first broadcast demonstrated a determination to distinguish itself from other Australian radio stations. Owing to 2SM’s restrictive policies at the time, Brockmann, whose real name was considered “too foreign-sounding”, had been forced to work using the pseudonym “Bill Drake” in prior positions. Brockmann launched the station’s first-ever broadcast with the words, “Wow, and we’re away! Double Jay brand at the time.
Choosing an Australian band reflected Double Jay’s commitment to Australian content at a time when American acts dominated commercial pop stations. Most notably, the song was one of several tracks from the Skyhooks’ album that had been banned from airplay on commercial radio by the industry’s peak body. Because Double Jay was a government-funded station operating under the umbrella of the ABC, it was not bound by commercial-radio censorship codes, and was not answerable to advertisers or the station owners. In contrast, their Sydney rival, 2SM, was owned by a holding company controlled by the Catholic Archdiocese of Sydney, resulting in the ban or editing of numerous songs. The inspiration gained from the UK led to Double J adopting the tradition of weekly, live-in-the-studio performances by pop and rock bands.
National Youth Radio Network”, as he was controversially sacked. Word was the Whitlam government wanted to set the station up to woo young voters. We also heard that the ABC was worried about its audience dying off and wanted a station for young people who would grow up to be ABC listeners. ABC — 2JJ in Sydney and the short-lived 3ZZ in Melbourne. By the time 2JJ went to air, the Whitlam government was in its final months of office. ABC executive informing him: “You’ll be on the air by January.
Thank you very much, I’ve got another meeting. Fraser government and the subsequent budget cuts it imposed on the ABC. In its early years 2JJ’s on-air staff were mainly recruited from either commercial radio or other ABC stations. Francis commenced broadcasting in the Saturday midnight-to-dawn shift in 1975, and the program became so popular that it was expanded to include Friday and Sunday nights two years later. Keith Walker, Michael Byrne, and Jim Middleton. 2JJ’s programming policies were considered a radical departure from the formats of commercial stations.
In 2005 Austin published a recollection from Colin Vercoe, one of the station’s first music programmers: “In those days it was the early disco stuff and if it was black they just wouldn’t play it. 2JJ was also a pioneer in terms of its coverage of local music. Austin stated in a 2005 ABC radio special to commemorate the youth station’s 30th anniversary: “There was very little Australian music. At that time Australian music didn’t have much production put into it because there wasn’t much money made out of it. 2JJ announcer Chris Winter explained that “there was enormous breadth of music around at the time” that was not played on radio, but could be heard in private gatherings or bought from specialist stores.
Austin states that the original aim of 2JJ was to highlight “our own culture” and the staff were expected to “provide an alternative to the mainstream, with a heavy emphasis on Australian content”. The station also sought to create a genuine dialogue with listeners, whereby the audience could claim a sense of ownership of the station, and announcers even played demo tapes recorded by listeners who were also musicians, the start of what is now known as triple j unearthed. In that first year we had a station policy of access all areas. In early March, women took over the station as announcers to celebrate International Women’s Day.